Quote:
Originally Posted by KeyserSoze
lol, not in the biz are you?
xbook, you guys won last year for Clint's flick right? We nab the oscar for Pirates in another category. 
|
yo Keyser,
You are up @ ILM, right? I remember you from NAM. You still on there. Thanks for remembering. You still have your MINI? I still have mine, and the g/f is waffling between a smart car and a convertible MCS.
Quote:
Originally Posted by bmx43
sorry, call me a skeptic but this seems a bit weird to me. ever heard of a foley artist? the sounds you hear on film are never ever the real car.
|
Ummm, sorry to say dude but a foley artist is not what I need. A foley artist is someone who performs things like footsteps, coffee cup set downs, hand pats, boring stuff. A sound effects editor, which is what i do, creates/records/edits the sounds that are WAY bigger than what a foley artist can do in a little foley stage. And, in film sound, it is very important for us to start with the natural of a "known" thing. Such as in the case of a smart car, I would hate for owners of smart cars to see this film, and say to themselves "that's not the sound of my car". Also, in a film like "Flags of our Fathers" it was very important to us to have the authentic guns from the era. So we went out to a canyon in SoCal, and th armorer for the show brought us actual Japanese and US weaponry from WWII. Including antique Japanese ammunition for the "woodpecker" machine gun.
It is physically impossible to record cars on a foley stage. For one, most vehicles can't fit thru the doors that lead to even the best foley recordgin stages on the planet. Secondly, how do you propose one gets a motor vehicle up to 45 mph in a 15 x 40 foot space?
This is a real thing, I am not some schiester looking to steal someone's car out from under them. If anyone would like to see my credits to my previous film projects, here is a link.
Credits